People often say 'fix it in post,' meaning they’ll solve problems later.
But with the Enklare project, we had to plan ahead and 'fix it in pre' (previsualization).
We knew that building our own set, where we could pick all the colors and decorations, would make the film better, but it was expensive. The cheaper option was to rent an office, but that limits what you can do. The challenge was figuring out how to build our own set without spending too much money.
Working closely with set designer Tobias Allansson, we decided that if we left out the ceiling and side walls, we could stay within our budget. But could we tell a story that didn’t feel limited?
So, I made a 3D model to test different camera angles and movements. After trying several versions, we finally created something that didn’t limit what viewers could see and was still exciting and visually interesting to look at.